MICROPHONES FOR BROADCAST

Broadcasting microphones

Broadcast lavalier microphones

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6060 Series Subminiature Lavalier

Just 3 mm (0.12 in) and available in a normal and a loud SPL version, the 6060 and 6061 Subminiature Lavalier mics pack the audio power of our larger, award-winning DPA mics. What they lack in size, they more than make up for in clarity, consistency and durability – three qualities that really matter. By shrinking CORE by DPA technology, we ensure you don't have to compromise on sound to focus on aesthetics.
 

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4060 Series Omni Miniature Mic

This entire series of miniature microphones is based on the original 4060; the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones.
 

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4660 Heavy Duty Omni Mic

Made for situations where you require maximum security and where the visual size of the mic is less important. This robust series features a stainless steel housing, a heavy-duty cable relief and a thick 2.2 mm (0.09 in) cable.
 

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4080 Cardioid Mic

The 4080 Cardioid Mic is a lavalier that captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field.

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Professional broadcast headsets

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6066 Headset Subminiature Mic

A 3 mm (0.12 in) capsule mounted on our most unique and flexible headset. This solution combines the need for exceptional audio with a secure, comfortable all-day professional headset solution. This is an ideal solution for theatre, broadcast and conference / event use.

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4466 Omnidirectional Headset Mic

The 4466 CORE Omnidirectional Headset Microphone combines DPA’s renowned 5 mm capsules with CORE by DPA technology and the Red Dot award-winning headset. This omni mic offers clean and transparent sound quality with lots of headroom.
 

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4066 Omni Headset Mic

This mic offers clean and transparent sound quality with lots of headroom. For years, this has been the chosen headset mic for broadcasters as well as theaters on Broadway and London's West End.
 

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4166/4266 Omni Flex Headset Mics

These earset and headset mics combine the legendary sound of the 4066 with the lightweight and flexible headset system. This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality.
 

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4488 Directional Headset Mic

The 4488 CORE Directional Headset Microphone offers an open and natural sound making it ideal for both spoken word and vocal performance applications. It provides excellent off-axis rejection in high-SPL situations.

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4088 Directional Headset Mic

This is the industry standard in professional headset mics. It offers an open and natural sound making it ideal for both spoken word and vocal performance applications.
 

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4188/4288 Directional Flex Headset Mics

Combining the legendary sound of the 4088 Directional Capsule with the lightweight and flexible headset system (also available as an earset), these mics are ideal for both spoken word and vocal performance applications.
 

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Boom mics for broadcast

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4097 Interview Kit

This 4097 CORE Micro Shotgun Mic makes it easy to deliver great sound in challenging situations. It shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters, who need amazing sound in a lightweight, small-footprint form factor.

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2017 Shotgun Microphone

The 2017 is a reliable shotgun microphone, which performs excellently against the challenging requirements of the broadcast industry. It is easy to use, durable and sounds amazing.

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4017 Shotgun Mic

Designed for a broad range of applications, this microphone is ideal for use with camera systems, in fixed positions for broadcast / ENG / film booming and even studio recording environments. They are also often the natural choice on a sports scene where large areas are to be covered with a lot of microphones, i.e. a football field and the likes.

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4018 Supercardioid Mic

Ideal for long-distance broadcast, ENG and film miking applications, such as booming, dialogue, interview and table or podium use. This mic offers superb flexibility through modular accessories.

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Handheld interview microphones

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2028 Vocal Mic

The 2028 Vocal Mic is designed for the unique challenges of live stage performances. It is a flexible handheld vocal mic that can be used wired or wireless and which provides transparent, fantastic vocals to HoW performers.

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d:facto™

4018 Vocal Mic

The d:facto™ Vocal Mic brings true studio sound to the live stage. These mics are available in an extremely linear version as well as in a version with a high-end boost. You can use the d:facto™ 4018 with a handle or choose to use your favorite wireless system.

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Surround solutions for broadcast

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5100 Mobile Surround Mic

A completely self-contained plug-and-play solution for 5.1 audio capture. It brings engaging surround ambience to sport events, documentaries and other HDTV productions. This microphone is versatile and can be mounted in many ways:, microphone stand, suspended from the ceiling or via a handgrip.

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Kits for broadcast

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DLS4000 - Location Sound Microphone Kit 

DPA’s DLS4000 Location Sound Microphone Kit has the crucial mics needed for all your standard location recording needs. It includes shotguns for booming, micro shotguns for discreet plant miking and a range of lavaliers for close miking the talent. 

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Are you ready to buy a DPA broadcast microphone? Find the store closest to you.
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ENG/EFP interview microphones

For news gathering and field productions, you need a sturdy, reliable microphone that can resist weather, wear and tear and unpredictable situations. And in these times of social distancing, a professional, lightweight broadcast booming solution is important as well.

When you’re doing distance interviewing inside or out, the 4097 CORE Interview Kit gets you up and running quickly and easily. No extra equipment. No complicated setup. No workflow changes. A lighter, more flexible solution lightens your bag and eases your work.


Containing a 4097 CORE Micro Shotgun Mic, the kit makes it easy to deliver great sound in challenging situations. This mic shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters, who need amazing sound in a lightweight, small-footprint form factor.

If you are looking for a full miniature microphone kit to support your ENG/EFP efforts, the ENG/EFP Microphone Kit, which contains a 4071 Miniature Microphone is a also good choice.

The 4071 Omnidirectional Microphone, Low-cut, Presence Boost is an outstanding speech mic. It makes the voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity – perfect features for an ENG/EFP mic. This kit is configured to include the mic and accessories necessary for electronic news gathering and electronic field production.

News microphones for broadcast

Watch just about any major news channel or local news program and you will see the in-studio journalists and reporters wearing bodyworn lavalier microphones. The unobtrusive and easy to mount 4080 Miniature Cardioid Microphone, Lavalier is the right mic for this type of job. It is acoustically pre-equalized, offering a 4 dB presence boost.


This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate the light weight and the excellent speech reproduction. Alternatively, the 4060 or 4071 Omnidirectional Microphones are great solutions that leave an even smaller footprint. The 4071 even boasts a built-in presence boost to compensate for chest placement.

For a light weight booming solution combine the MMC4018 Supercardioid Microphone Capsule with the MMP-G Modular Active Cable and Gooseneck Shock Mount.

Microphones for sports events

Audio for sports broadcasting places extremely high demands on the microphones used. Not only do they have to sound good in a hectic environment but they also need to be quick to set up, easy to handle, robust in all types of weather conditions and unobtrusive. Those are tough demands, but DPA has microphone solutions that shine in this application.


We were really delighted with the performance of all the DPA Microphones, but especially the Mobile Surround Microphone, which sounded fantastic. It was incredibly easy to rig and protect from bad weather and was significantly less expensive than other microphone systems. Thanks to the 5100 Mobile Surround Microphone, we achieved a rich, smooth and fully enveloping sound that was great in its coherence, channel separation and localization accuracy.



– Huub Lelieveld, Senior Sound Supervisor for United Outside Broadcast and Studios (UEFA Europa League Final)

Microphones for TV entertainment

If you watch entertainment shows on TV, it is likely that you have seen headset microphone solutions. But actually, you might not have noticed them, as current models are getting even smaller and leaving less of a visual footprint than previously.


The In-Ear Broadcast Headset Microphone Series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communications – in one solution. No more fiddling with two parallel systems – one for the mic and one for in-ear communication. These mics are available in both omnidirectional and directional variants and can be further customized based on mounting, color and boom length.
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Where do I buy?

Are you ready to buy a DPA broadcast microphone? Find the store closest to you.
Locate store

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