I have been in the motion picture industry since 2000. I started my career as sound apprentice at OB events, then I swerved off onto episodic drama and film to learn boom operating and the other merits of production sound recording. Gaining more and more practical experience, I realized that I was lacking the global understanding of motion picture sound creation: what role my work plays in the whole system. Therefore, I decided to study about it, and luckily I got admitted to Hungary's most renowned film university (SZFE), where I acquired a Sound Director BA degree in the end. Today, my major profile is production sound mixing, however, thanks to my academic background, I have reasonable experience and understanding of how post production sound works are processed.
2000-2007: Sound Trainee, Sound Assistant, then Boom Operator in various Hungarian and international projects (sports events, concerts, talkshows, tv films, soap operas, mini series and feature films)
2007-2010: student at the University of Theatre- and Film Arts (SZFE) in Budapest, Hungary.
since 2010: recording and mixing the original soundtrack of various Hungarian and international drama productions including for example 2nd Unit of Oscar-nominated "The Martian" and Danish historic drama "9 April" in which all radio mics were equipped with 4061s and 4071s.
Favorite DPA Microphones
4060, 4061, 4071
I use these as personal mics, and very often as hidden spotmics to complement the booms. As I hear it, these mics mix very-very well with open mics, their pickup is so clear and natural that is almost unbelievable knowing their size.
These days I prefer the 4060 series as the radio system I own now does not need the high freq gain there is in the 4071s.
György RajnaProduction Sound Mixer
Segments: Film Speaks: Hungarian,