d:fine™

Flex Directional Headset and Earset Microphone

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      Legendary sound - flexible headset

      • Pristine audio quality
      • Lightweight and flexible
      • Easy mounting to the left or right
      • Minimal visual impact
      • Resistant to humidity
      • Flexible adapter system fits most professional wireless systems
      Combining the legendary sound of the 4088 Directional Capsule with the lightweight and flexible d:fine™ Headset system, the d:fine™ 4288 Directional Headset Microphone is ideal for both spoken word and vocal performance applications. It offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.



      This mic provides excellent off-axis rejection in high-SPL situations. It efficiently suppresses distant sound sources making it perfect for demanding live performance environments where background noise and feedback are concerns. In high-SPL events, or when feedback is a concern, the 4088 Directional Capsule will tackle these challenges with ease. The bass response is designed for optimal linearity at 2-3 cm (1 in) from the sound source. This means that the bass roll-off will be relatively prominent at a greater distance – a paramount factor when it comes to rejection of background noise and in the fight to avoid feedback. The microphone capsule is also optimized for low distortion as well as humidity resistance.

      The d:fine™ 4288 is available as an earset or headset. Earset variants are the quickest to put on and often the best choice when miking needs to be fast and easy for example for conference use. Headset variants sit more securely around the head and are ideal for active performance situations. Both types are ergonomically designed to fit comfortably and easily. This mic adjusts to fit any ear size and head shape while at the same time it mounts securely and is hardly visible. By rotating the boom and the ear hook, the microphone can be easily used on either the left or the right ear. The connector splits the cable from the microphone boom allowing you to swap broken cables and / or wireless connectors quickly.

      Two directional boom lengths are available to accommodate different applications and head sizes: 120 mm (4.7 in) and 100 mm (3.9 in). The boom on this directional mic is 3 cm (1 in) longer than on the omnidirectional version, which matches the need for placement at the corner of the mouth. To avoid "popping", the capsule should not be placed directly in front of the mouth. The 120 mm (4.7 in) is the standard boom length that fits most people.
       

      Legacy or CORE by DPA - The choice is yours

      The legacy d:fine™ 4288 Directional Headset has always been, and still is, one of the most clear, consistent and robust miniature microphones you can find on the market. It’s known for working across a wide dynamic range as well as exhibiting low distortion across all SPLs. If you need to squeeze a little more performance out of your mics, choose CORE. The d:fine™ CORE 4288 Directional Headset gets a 14 dB increase Dynamic range as the 1% THD point is higher. What can’t be seen on the specifications is that the CORE delivers an even more open and clear sound.


      Total harmonic distortion: < 1% THD up to 137 dB SPL peak

      Dynamic range: Typ. 111 dB

      Read more about our CORE by DPA technology
       

      CORE by DPA availability

      The d:fine™ 4288 Directional Headset is available with CORE by DPA. The earset version (d:fine™ 4188) will be available with CORE in May 2018.
       

      A bit about cardioids

      Named for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.

      A cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.

      Due to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.
       

      Adapter system gives you flexibility

      The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.

      The d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.

      Find the adapter that fits your wireless system.
       

      Explore specs

      CORE by DPA extends the dynamic range from 97 dB to 111 dB. With 144 dB max SPL before clipping there is, giving plenty of headroom.
      Explore specs
      ...best of all, even microphone-apprehensive users were captured consistently and clear; hand a microphone to the same group of users, or stand them in front of a spot or a podium, and I guarantee the results won’t be that consistent or nearly as usable.
      Read the full review on ProSound News

      Where do I buy?

      Are you ready to buy a d:fine™ 4188 or 4288 Dirctional Earset or Headset? Find the store closest to you.
      Locate store

      Alternative microphones

      d:fine™

      4066 Omni Headset Mic

      The d:fine™ 4066 Omni Headset Mic offers clean and transparent sound quality with lots of headroom. For years, it has been the chosen headset for broadcasters as well as theaters on Broadway and London's West End.

      Read more about the d:fine™ 4066 Omni Headset Mic
      d:fine™

      4166 and 4266 Series Omni Headset Mic

      These mics combine the legendary sound of the d:fine™ 4066 with a lightweight and flexible headset system. This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality.

      Learn more about the d:fine™ 4166 and 4266 Omni Headset Mic
      d:screet™

      4088 Directional Headset Mic

      This classic headset mic is the industry standard in professional headset mics. It offers an open and natural sound making it ideal for both spoken word and vocal performance applications.

      Read more about the d:fine™ 4088 Directional Headset Mic

      Optional accessories

      In operation, both the omni and directional headsets sound natural even before any equalization, and deliver impressive level without feedback, even when the user is positioned relatively close to a loudspeaker cluster.
      Read the full review on Church Production

      Godspeed: A Rock Opera calls on DPA to support extreme sound levels

      I expected problems, but DPA’s d:fine™ Headsets provided 12 channels of pristine lead and background vocals. Many audience members believed we were running playback harmonies, but it was all live.
       
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      I was quite simply blown away by the fact that this microphone, with no processing of any kind, represented my voice as naturally as any large-diaphragm condenser or high-end ribbon mic I’d ever heard.
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      How to mic speech on stage with headworn mics

      When a singer performs on stage with a microphone, he typically has to contend with sounds radiating from musical instruments, monitor speakers and other sources.
      Learn more

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      Product IDs

      Each microphone come in a different variations, each with it's own product ID and variand name. See the list of product IDs and names below.

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