INSTRUMENT MICROPHONES

Clean and accurate sound

The area of microphones for instruments is extremely wide. Not only is there a wide range of instruments around the world, each with its own specific sonic expression. In addition, amplifing or recording live rock concerts, orchestras, studio work and many other settings often require very different miking solutions to ensure the best results.

Our instrument microphones

d:vote™

4099 Instrument Mic

The award-winning d:vote™ series, gives you a much more natural sound than any  clip-on  microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

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d:dicate™

2011 Twin Diaphragm Cardioid Mic

Acclaimed for its close-miking excellence and hi-SPL handling. Optimized for onstage use, it has been used on many stages as well as recording sessions. It exhibits a previously unheard blend of clarity, richness and dynamic range.
 

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d:dicate™

4011 Cardioid Mic

When you want it to sound just like the original then this mic is for you. It offers unparalleled directional quality and attention to detail. This mic makes everything sounds like the original and provides superb separation between sound sources.

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d:dicate™

4015 Wide Cardioid Mic

Sometimes a conventional cardioid pattern just isn’t quite open enough. The d:dicate™ 4015 Wide Cardioid Microphone is the perfect fill-in between an omnidirectional and a directional microphone.

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Our instrument kits

d:vote™

4099 Touring Kit

Ready for on-the-road use for rental companies, musicians or theatres, the d:vote™ Touring Kit offers a wide selection of microphones and accessories selected for typical use in an acoustic music setting.

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d:dicate™

Stereo Pairs

The Stereo Pairs contain the mathced pencil microphones, clips and windscreens and accessories. All kits are matched within either ±0.5 dB or ±1 dB depending on the kit. Available with either 4006, 2011, 2006, 4007, 4011 or 4015.

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Our instrument clips

d:vote™ 4099 Instrument Mic Series

The d:vote™ 4099 comes in two versions. The d:vote™ 4099 for High SPL instruments is perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between. It may sound odd that a guitar should be categorized as a loud instrument but this is due to the close distance between the sound source and the instrument. The closer you get to an instrument, the higher SPL’s the mic must be able to withstand and still pick up the sound without a hint of colorization or distortion.

With a max SPL, peak before clipping of 152 dB, the d:vote™ 4099 for Extreme Loud-SPL instruments was designed for use on drums, percussion instruments and other extremely loud instruments, like the trumpet and saxophone. Both versions have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.

When it comes to miking your instrument for performance on the stage, DPA Microphones gives you a huge range of choices with the d:vote™ Instrument Microphones, d:screet™ Miniature Microphones and d:dicate™ Recording Microphones series.


 

d:vote™ Instrument Microphones

The award-winning d:vote™ Instrument Microphone series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

Known for their discreet size and elegance, these mics come in two variants, both of which feature a lightweight design. Yet, d:vote™ Instrument Microphones are also rugged. The versatile gooseneck provides stable and repeatable positioning. The flexible design supports a wide variety of mounting and positioning possibilities and a wide selection of ingenious mounting options offered. The ingenious series of mounting options covers almost all instruments available and the mic itself can attach to each of these mounting solutions.


d:vote™ 4099 Stereo Kits are also available; typically used on the piano and accordion. The mics for these kits are selected for a better match.

See all of our d:vote™ Instrument Microphone solutions.

d:screet™ Miniature Microphones for instruments

The d:screet™ Miniature Microphone Series is an ideal instrument close-miking solution, which offers a very clean, detailed and natural sound quality. Microphone placement is up to the user, in order to receive the desired timbre for studio use or amplification for live use.

d:screet™ Miniature Microphones offers a very clean, detailed and natural sound quality. Microphone placement is up to the user, in order to receive the desired timbre for studio use or amplification for live use. Combine the high SPL d:screet™ 4061 Omnidirectional Microphone with a Gooseneck Mount if you are after a very unobtrusive microphone with a big sound. The mics have a linear response, low distortion and an extremely large dynamic range, perfect for capturing the unique resonances of any instrument.



There are two stereo kits available within the d:screet™ series. In these kits, the two microphones are selected for a better match.

See all of our d:screet™ Miniature Microphones for live instrument performances.

d:dicate™ Recording Microphones for instruments

The wide and versatile d:dicate™ Recording Microphone Series is legendary in the high-end recording industry and can also make your instrument shine on the live stage. Delivering clean, accurate sound, the mics in this series are used by professionals, who understand sound and insist on only using the best.


When used together with the Gooseneck Shock Mount and a MMP-G Modular Active Cable Preamplifier with MicroDot, any d:dicate™ capsule turns into a fantastic wireless, onstage instrument microphone. You’ve never heard a wireless stage performance like this before!



For those who choose not to go wireless, using the Gooseneck Shock Mount with the MMPG Modular Active Cable Preamplifier with an XLR connector is the best choice. The GSM4000 Gooseneck Shock Mount with a built-in shock mount allows you to use these prestigious 19 mm capsules mounted on any instrument via the ingenious mounting system from the d:vote™ 4009 Series.

See all of our d:dicate™ Recording Microphones for live instrument performances.

Where do I buy?

Are you ready to buy an instrument microphone? Find the store closest to you.
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But how does it sound? The d:vote is a phenomenal sounding mic, on almost any source, it is clean, clear and crisp with a detail seldom heard on any mic I have ever used.
Read the full review on Gearslutz

DPA takes musical journey with the Silk Road Ensemble

Versatile mics provide Audio Engineer / Designer Jody Elff with fantastic balance of sonic excellence and practical utility.
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What strikes me first of all is how small the body is and thus placement in tight places is made a lot easier. In my opinion where the d:dicate™ 2011C really excels is as a spot mic for prominent cymbals, namely the hi-hat and ride.

Sound quality: 4 out of 5
Ease of use: 5 out of 5
Features: 4 out of 5
Bang for buck: 5 out of 5
Overall: 4.5
Read the full review on Gearslutz

10 points on close miking for live performances

A visual guide to mounting the d:vote™ 4099 Instrument Microphone on various instruments.
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For really demanding situations, the d:dicate™ 4011A microphone will tolerate an astonishing 159dB SPL!
Read the full review on Sound on Sound

How to mic a drum kit

How close do you place a snare drum mic above the skin? Have you ever heard the sound of the drum that close? Hopefully not! Nevertheless, that is where we normally place the snare mic. Always consider what you expect to hear as a result of where you place the microphone
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This (d:dicate™ 4015) is a first-rate transducer that brings out the best in almost any audio source.
Read the full review on Mix Online

10 points on close miking for live performances

We apply close-miking to obtain the highest possible sound pressure level (SPL) of the sound source – and the lowest SPL of all other nearby or distant sources. Close-miking can provide us with the possibility of a cleaner mix. Furthermore, close-miking can reduce the risk of acoustical feedback when used with public address systems (PA) as less gain of the microphone is needed being so close.
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