Described as a multimedia collaboration of sight and sound, this special project integrates rock-n-roll and classical music by merging electronic and acoustic compositions. “It’s great to know that we can collaborate with a variety of instruments and control our sound,” adds Norpoth. “The
d:vote™ mics allow us to enhance the audience experience in unconventional venues that don’t otherwise have great acoustics.”
Though “The Scheherazade Project” is still in its rehearsal process, the group has already implemented the mics into the show. “So far, we are really happy with the fact that we can hear ourselves in the mix,” continues Norpoth. “Using microphones that do not scuff the finish of our instruments is a huge plus, as using pickups could potentially damage our instruments and ultimately provides a poor sound. We will definitely continue to use them in venues where we benefit from amplification, or when we collaborate with other artists or play compositions that involve live or pre-recorded electronics. We already have plans to use our DPA mics during our performance at the Detroit Jazz Festival in September. They really are the best microphones around.”