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Three piano kits - so many possibilities

From upright to grand - Stress-free miking with a DPA Kit

Piano miking is one of the most demanding challenges in professional audio. The instrument spans the full audible frequency spectrum, exhibits strong dynamics and transients and interacts heavily with room acoustics — making microphone choice and placement critical to achieving the desired sound. You know what you want the audience to hear; the trick is making that specific sound a reality. DPA has curated three distinct kits specifically for miking the piano. Each kit contains microphones and accessories needed to mic the ivories without the hassle. Let us walk you through the options so you can choose the kit that best meets your needs.

DPK2015 Piano Stereo Kit

An out-of-the-box miking solution that takes a minute to install and ensures that the true voice of the piano shines. The DPK2015 contains a stereo pair of 2015 wide cardioid mics and a stable, lightweight Stereo Boom that fits any type of piano – grand or upright; inside or outside the piano; lid open or closed.  

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DPK4099 CORE+ Piano Stereo Kit

A dedicated stereo miking solution for grand and upright pianos, built around a selected stereo pair of 4099 CORE+ Loud SPL supercardioid instrument microphones and versatile magnet mounts, perfectly designed for use on a piano.

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DPK4011 Piano Stereo Kit

A versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and anchored placement. This kit showcases a matched pair (±1 dB) of our award-winning 4011 cardioid mics and a variety of accessories you need to capture fantastic piano sound.

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Let us point you in the right direction

Need some help choosing the kit that fits your needs best? Take a few minutes to answer a few simple questions so we can point you in the right direction.

Can you hear the difference?  

Yes, while all three DPA Piano Kits deliver professional results, there are audible differences between them, and sound engineers consistently describe these differences in terms of character, perspective and application.

DPK4011 is widely heard as a natural, warm and detailed option, offering the classic “listener perspective” and a balanced top–bottom response. Many professional audio engineers find the DPK4011 is the preferred choice for solo recordings in studio, classical and high-fidelity work. 

 

DPK2015 is often described as slightly “sweeter” with excellent blend, a natural stereo image and a surprisingly full sound in several placements. It is especially valued for its fast and easy yet flexible mounting solution.

DPA Microphones · 2015 Wide Cardioid in arch - How to mic a piano

DPK4099 CORE+ is lightweight, more compact and designed for challenging audio environments, yet it still delivers a clear, articulate piano tone. It is often described as brighter, more focused, and slightly leaner in the low end, which can be an advantage on loud stages or in closed-lid situations where isolation is essential.

DPA Microphones · 4099 Instrument Mic in arch - How to mic a piano

In practice, sound engineers agree that all three kits provide professional audio quality and are fully capable of providing excellent piano recordings. The differences are a matter of tonal character and intended use. Each stereo pair solution brings its own recognizable sonic fingerprint, but all remain firmly within the DPA standard of authenticity and accuracy.

 

 

Ready to chat locally?

If you want to see the kits in real life or need to talk to someone directly about the different possibilities, please contact your local DPA dealer. 

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