The series was developed to withstand the toughest of conditions. They contain a 5.4 mm diameter pre-polarized condenser element with a vertical diaphragm. This unique, Double Vent Protection System makes the mics greatly resistant to humidity and sweat. These mics are also designed with a Kevlar-reinforced cable relief, which is built to withstand the constant twists, bends and pulls that are part of the everyday use in harsh environments.
The acoustic response of the 4060 Series can be modified by selecting the correct grid for the job. Two grids are supplied with each microphone (not the 4071, which includes a fixed grid). The pre-fitted Soft Boost Grid gives a 3 dB soft boost at 8-20 kHz. It should be used when the microphone is mounted on the performer’s head as well as in most other applications where you need a natural-sounding microphone. When fitted, the High Boost Grid introduces a 10 dB soft boost around 12 kHz for applications where the microphones chest-placement is preferred. Both of these grids are made of anodized stainless steel, giving a tough and scratch resistant surface. They can be detached from the microphone and cleaned of sweat, makeup, etc.
In 2021, the Academy of Motion Picture Arts and Sciences’ Board of Governors bestowed a Technical Achievement Award to DPA miniature microphones
. The award is directed specifically to Jens-Jørn Stokholm and Ole Moesmann for the innovative development of high-performance miniature and subminiature DPA lavalier microphones
4060 Miniature Omnidirectional Microphone, Normal SPL
This microphone is small in size, but mighty in flexibility. Due to its miniature size, it exhibits an exceptionally accurate omnidirectional pattern and therefore does not need to be aimed directly at the sound source to achieve quality pickup. The omnidirectional pattern also makes it less sensitive to handling noise as well as pop and wind noise.
We originally designed this microphone for use with wireless systems in theaters but today it is one of the most loved mics for television and film applications as well. It is especially suited for capturing speech in all of its nuances and can be used to close-mike a wide range of instruments. This microphone handles sound pressure levels up to 134 dB before clipping occurs. This mic is well suited for applications where the sound source is more remote or damped and you need to have a good balance signal versus noise.
The 4060 Miniature Omnidirectional Micropone, Normal SPL is available in four colors: black, brown, beige and white. An even more robust, heavy-duty version is also available.
4061 Miniature Omnidirectional Microphone, Loud SPL
This microphone is acoustically identical to the 4060 Miniature Omnidirectional Microphone, Normal SPL, but its sensitivity is adjusted to accommodate higher sound pressure levels (SPLs).
The 4061 Miniature Omnidirectional Microphone, Loud SPL can handle SPL up to 144 dB peak before clipping, making it one of the best miniatures for use on very loud sound sources, such as some instruments and human voices.
In comparison, the 4061 is about 10 dB less sensitive than the 4060 and therefore works well when used for hidden applications, for example mounted on the head or forehead of a theater performer. In this placement, the sound pressure level is about 10 dB louder than what you encounter with chest placement (lapel microphone).
This mic is available in four colors: black, brown, beige and white. An even more robust, heavy-duty version is also available.
4062 Miniature Omnidirectional Microphone, Extreme SPL
This mic is similar to the others in this series, but is sensitivity adjusted to match extremely loud sound pressure levels. With the correct power source, the microphone will be able to handle sound pressure levels up to 154 dB before clipping occurs, making it ideal for close-miking drums and brass. The microphone is also the perfect choice for miking in the engine compartment of cars or directly in the exhaust pipes.
The 4062 Miniature Omnidirectional Microphone, Extreme SPL; is available in two colors: black and beige.
The decision fell on the 4062 with a level of attenuation, necessary because of the, to some extent, exorbitant loudness very near to the exhaust and even in the engine compartment of the Ferraris.
- Günther Raupp on using a 4062 to record the sound of a Ferrari
4063 Miniature Omnidirectional Microphone, Loud SPL and Low voltage
The 4063 Miniature Omnidirectional Microphone, Loud SPL and Low voltage is designed for use with transmitters giving only 3V bias voltage. Some transmitters provides only 3V instead of the more common 5V. In this case, the 4063 is the right choice for such transmitters.
The mic is acoustically identical to the 4060 Miniature Omnidirectional Microphones but its internal preamplifier in the input stage is designed for working with lower supply voltage. With the correct power source, the microphone will be able to handle sound pressure levels up to 138 dB before clipping occurs.
This mic is available in three colors: black, beige and white. An even more robust, heavy-duty version is also available.
4071 Miniature Omnidirectional Microphone, Presence Boost
The 4071 Miniature Omnidirectional Microphone, Presence Boost is a fantastic lavalier mic, which features a presence boost of typically 5 dB at 4 to 6 kHz. This is critical for a chest-placed microphone because the frequency range of the consonants spoken is damped in this position, which results in poor intelligibility. The 4071 has a boost that maximizes speech intelligibility. This microphone will be able to handle sound pressure levels up to 144 dB before clipping occurs.
When recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut at 100 Hz has been incorporated in the 4071’s capsule so the built-in preamplifier (and the wireless system) will have a much larger headroom. Furthermore, the low-cut filter removes low-frequency rumble, noise and proximity effect.
Because of its special optimization for speech, this mic is especially appropriate for ENG news crews since very few ENG mixers have the ability to make this type of compensation. It is also a fantastic choice for in-studio reporters or even hidden under clothing for film production use.
The 4071 is available in three colors: black, beige and white. An even more robust, heavy-duty version is also available.
A bit about omnis
An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.
Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.
Flexible Adapter System
All of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.
The adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.
Using an adapter for wireless, our microphones with MicroDot termination are compatible with the professional wireless systems listed below. Many of these brands have several model numbers. To ensure compatibility you should find your particular model number, which in most cases can be found on the transmitter. Other configurations are possible; however, DPA Microphones cannot guarantee full compatibility in these cases.
Wireless brands we work with: AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Line 6, Micron, Mipro, Pastega, Ramsa, Sabine, Samson, Sennheiser, Shure, Sony, Telex, TOA, Trantec, Vega, Wisycom and Zaxcom.
Hardwired versions without the MicroDot connector are also available for various versions. Popular choices are 3-pin LEMO (Sennheiser), Mini-Jack (Sennheiser) and TA4F Mini-XLR (Shure).
If you prefer to run via a wired system, all of our mics are available with an XLR adapter.