
September 01, 2026
Directional headset microphones live in some of the most punishing environments in live sound: loud stages, complex acoustics, high ambient noise and performers who move. The usual trade-off is familiar: chase isolation and you sacrifice natural sound. Chase natural sound and you give up isolation. DPA Microphones' new 6388 CORE+ Headset Microphone is designed to eliminate that trade-off.
Read now
September 01, 2026
Directional headset microphones live in some of the most punishing environments in live sound: loud stages, complex acoustics, high ambient noise and performers who move. The usual trade-off is familiar: chase isolation and you sacrifice natural sound. Chase natural sound and you give up isolation. DPA Microphones' new 6388 CORE+ Headset Microphone is designed to eliminate that trade-off.

August 31, 2026
The sound crews behind MerleFest 2026 chased one goal above all: amplification you can't hear as amplification.

August 31, 2026
How engineers ensured every word of Pope Leo XIV's week-long visit to Spain reached audiences clearly — live and on broadcast.

August 31, 2026
Veteran audio professional, Bill Di Paolo, does an in-depth field test of the N-Series Digital Wireless System platform.

August 31, 2026
Steve Savanyu of FOH Magazine takes a close look at the wireless system.

August 31, 2026
Music Connection takes a closer look at DPA’s complete microphone solution for capturing grand pianos.

August 31, 2026
Worship Musician puts DPA’s N-Series Digital Wireless Microphone System to the test in a demanding real-world environment

July 17, 2026
Liz Young is a professional violinist based in Australia whose career spans classical performance, contemporary ensembles, touring festivals, and cross-genre collaborations.

June 10, 2026
How Steve Davies kept the British Music Embassy on air through the hardest week of the festival calendar.

May 19, 2026
How monitor engineer Martijn Van Renterghem found a wireless microphone system that sounds wired.

May 07, 2026
In this video, award-winning sound designer Gareth Owen reveals how a shift in mindset transformed his entire approach to musical theater — moving away from "apologetic" audio toward a bold, cinematic sound philosophy inspired by film.

May 07, 2026
28 seasons, 200 episodes, one unforgiving set.

April 30, 2026
When veteran live sound engineer Jamie Harley took on front-of-house duties for Yann Tiersen's "Rathlin from a Distance | The Liquid Hour" tour, he faced a challenge that sits at the sharp end of live sound: reproducing the full dynamic range of a solo acoustic piano through a large PA system — night after night, on a different piano each time.

April 13, 2026
When production sound mixer Chris Welcker, CAS, signed on to "Sinners," an IMAX horror drama set in 1930s rural Louisiana, he knew it would be a demanding gig. The film isn't just a horror story — it's a period piece soaked in live blues music. And every note of it had to be captured for real, on set, as the cameras rolled.

April 08, 2026
When one of the world's most acoustically revered opera houses needed amplification, the brief was clear: you can't let anyone hear it working.

March 25, 2026
System’s Execution on Recent Dutty Moonshine Tour Underscores the Audio Provider’s Strategic Wireless Expansion

March 06, 2026
Discover how the F1 sound team turned a real Grand Prix into a cinematic experience.

February 25, 2026
The 2061 Omnidirectional Lavalier Expands Access to Premium Theater Sound

February 18, 2026
Robust Wisycom ADB2 antennas help deliver clean, reliable audio for FX’s acclaimed series

February 16, 2026
From a sealed, pressurized mask 10 meters below the surface to the final cinematic mix, the Mission: Impossible – The Final Reckoning sound team faced one of their most extreme recording challenges yet.