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LATEST NEWS

Placement forgiveness and feedback rejection: DPA's 6388 headset mic tackles the hardest stages

Directional headset microphones live in some of the most punishing environments in live sound: loud stages, complex acoustics, high ambient noise and performers who move. The usual trade-off is familiar: chase isolation and you sacrifice natural sound. Chase natural sound and you give up isolation. DPA Microphones' new 6388 CORE+ Headset Microphone is designed to eliminate that trade-off.

How MerleFest’s engineers made the microphones go unheard

The sound crews behind MerleFest 2026 chased one goal above all: amplification you can't hear as amplification.

Every word counts: delivering speech clarity for Pope Leo XIV's visit to Spain

How engineers ensured every word of Pope Leo XIV's week-long visit to Spain reached audiences clearly — live and on broadcast.

ProSoundWeb road tests DPA’s N-Series

Veteran audio professional, Bill Di Paolo, does an in-depth field test of the N-Series Digital Wireless System platform.

“Solid wireless” Front of House Magazine reviews N-Series

Steve Savanyu of FOH Magazine takes a close look at the wireless system.

"Neutral, uncolored and transparent” – Music Connection tests the DPK2015

Music Connection takes a closer look at DPA’s complete microphone solution for capturing grand pianos.

DPA N-Series delivers pristine sound under pressure

Worship Musician puts DPA’s N-Series Digital Wireless Microphone System to the test in a demanding real-world environment

Few mics are trusted on an antique Stradivarius copy – 4099 is

Liz Young is a professional violinist based in Australia whose career spans classical performance, contemporary ensembles, touring festivals, and cross-genre collaborations.

No room for failure: keeping SXSW's British Music Embassy on air

How Steve Davies kept the British Music Embassy on air through the hardest week of the festival calendar.

Wireless vocals, zero compromise

How monitor engineer Martijn Van Renterghem found a wireless microphone system that sounds wired.

The mic Broadway's biggest shows have trusted for 20+ years

In this video, award-winning sound designer Gareth Owen reveals how a shift in mindset transformed his entire approach to musical theater — moving away from "apologetic" audio toward a bold, cinematic sound philosophy inspired by film.

When the host grabs the mic: keeping sound clean on 'Family Feud'

28 seasons, 200 episodes, one unforgiving set.

Taming the piano: miking Yann Tiersen's solo set for a large-scale live system

When veteran live sound engineer Jamie Harley took on front-of-house duties for Yann Tiersen's "Rathlin from a Distance | The Liquid Hour" tour, he faced a challenge that sits at the sharp end of live sound: reproducing the full dynamic range of a solo acoustic piano through a large PA system — night after night, on a different piano each time.

Every mic on deck: recording "Sinners" for IMAX

When production sound mixer Chris Welcker, CAS, signed on to "Sinners," an IMAX horror drama set in 1930s rural Louisiana, he knew it would be a demanding gig. The film isn't just a horror story — it's a period piece soaked in live blues music. And every note of it had to be captured for real, on set, as the cameras rolled.

How DPA solutions keep the Teatro Colón sounding like itself

When one of the world's most acoustically revered opera houses needed amplification, the brief was clear: you can't let anyone hear it working.

22Live expands commitment to premium performance with DPA N-Series

System’s Execution on Recent Dutty Moonshine Tour Underscores the Audio Provider’s Strategic Wireless Expansion

F1: Bringing real Formula 1 sound to cinema 

Discover how the F1 sound team turned a real Grand Prix into a cinematic experience.

Bill Eickenloff brings DPA to the forefront of modern theater production

The 2061 Omnidirectional Lavalier Expands Access to Premium Theater Sound

Scott D. Smith captures the chaos and intimacy of “The Bear” with DPA 6061 Subminiature Microphones

Robust Wisycom ADB2 antennas help deliver clean, reliable audio for FX’s acclaimed series

Mission: Impossible: Capturing sound 10 meters underwater

From a sealed, pressurized mask 10 meters below the surface to the final cinematic mix, the Mission: Impossible – The Final Reckoning sound team faced one of their most extreme recording challenges yet.

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