A bodyworn wireless microphone is a combination of a small wired microphone and a bodypack transmitter (TX). It is important to connect them correctly to ensure you capture the best sound.
Figure 1. Bodyworn wireless microphone.
The microphone element is preferably an electret type due to its high audio quality, small footprint, and no need for power. To make it work, however, it needs a powered built-in amplifier/buffer/impedance converter. The transmitter's batteries should provide the power, often called "microphone bias" or "bias voltage”. The batteries' energy capacity is limited. Thus, most of the power should be saved for the transmitter itself, keeping it "on air" as long as possible.
Inside the microphone housing, a common solution
The electret microphone element produces a signal depending on the acoustic input. Unfortunately, the output of the microphone element cannot drive long cables and standard microphone inputs. To make it work, as mentioned, a buffer is needed. The most straightforward circuitry available inside the miniature microphone housing is – beside the electret element – a FET (Field Effect Transistor). The FET exhibits extremely high input impedance and relatively low output impedance, which is needed. The audio signal from the electret element controls the current through the FET. Even though the electret element can work without any kind of power supply, the FET needs external DC-voltage.
Figure 2. Common solution for miniature electret microphones, the electret element and the FET.
Controlling the current through a FET is a little like squeezing a water hose: If you tighten the grip, less water passes. If you press it too hard, the water stops running (in FETs, it is called "cut-off mode"). The simple FET-circuitry works relatively well if the cut-off mode is not reached. However, it has two disadvantages:
- The current through the FET – and by that the microphone's output – is not a completely linear function of the signal input. The result is a nonlinear dynamic range and some distortion. These non-linearity errors may vary in different brands and models. Some manufacturers’ transmitters contain a built-in correction network for the linearization of the FET. Most transmitters do not.Due to the supplied bias voltage's polarity, the output goes negative when the sound pressure on the microphone diaphragm goes positive. Common audio standards state that microphones should produce positive voltage when positive pressure is present at the front of the diaphragm. Some manufacturers correct this by reversing the transmission system's polarity. See Mic University article: The polarity of wireless belt-pack systems.
Inside the microphone housing, the DPA solution
All miniature microphones ever produced by DPA have a far more advanced circuitry that ensures high sound quality and a high degree of versatility. By introducing CORE by DPA technology, the performance is even further improved. DPA miniature and subminiature microphones have these features:
1. Positive output for positive-going sound pressure, i.e., in-phase.
2. Fully compensated electronics providing the lowest distortion possible at all levels.
3. Each microphone is trimmed to maximum performance and does not need a specific brand TX for better performance.
Figure 3. Solution for DPA miniature microphones with CORE by DPA technology, ensuring a high degree of linearity and low distortion.
By miniaturizing the advanced electronic circuitry implemented in CORE by DPA technology, it can be contained even in the small 3 mm capsule housing of the subminiature microphones.
How much voltage?
The magnitude of the bias voltage determines the possible level of the audio signal. The signal can never exceed the operating voltage. So, if you want an audio signal of a given amplitude, a sufficient operating voltage (bias) should be available.
The bias voltage available in most transmitters is in the range of 5-7 volts. However, a few brands provide only 2-4 volts. DPA miniature microphones (lavaliers, headsets and instrument mics) need 5-10 volts to work correctly. One exception, however, is the low voltage version DPA 4063 which works down to 3 volts.
What happens if the voltage is too low?
As mentioned, the output signal depends on the supplied DC voltage. If it is too low, it may result in asymmetrical clipping of the audio signal above a certain level [see figure 4]. The result is distortion; the lower the DC voltage, the more distortion at increased levels.
If the available bias voltage is, say, 4 or even 3 volts, the microphone still works. But the acoustical input must be reduced and kept below a limit, lower than the usually specified max SPL; this is to avoid distortion. In practice, a low bias voltage (3-4 volts) means that the max input signal must be kept approximately 6-10 dB below the specified max value.
In general, if the SPL is below 110 dB, 3-4 volts bias can be accepted without too much signal degradation. But remember, the microphone no longer meets full specifications.
Figure 4. Output as a function of operating bias voltage, 5, 4 and 3 volts. Left: At max specified SPL (distortion is introduced when the bias voltage is reduced below 5 volts). Right: At max possible SPL (reduced input).
The role of DPA adapters
As standard, a MicroDot Connector terminates DPA miniature and subminiature microphones. Different manufacturers of transmitters use different connectors for microphone inputs. To make DPA microphones fit the various brands, an adapter is a practical solution. The MicroDot connector then adapts to the actual other connector type and allows you to use the microphone on various transmitter types, now and in the future.
The adapter also ensures the optimization of the voltage/current available from a specific transmitter. Some adapters have built-in resistors. These components are present to provide the correct bias for the microphone. This is one reason why microphones may not work if the cable is soldered directly into a random connector. (On the product pages, you can see diagrams revealing the inside of the adapters).
Connection, 2-, 3- and 4-pin
Different brands use different connector configurations, including 2-, 3- or 4-pin variants.
In a 2-wire connection, you may think that one wire is missing. What you need is a voltage supply plus ground and
audio out plus ground. In the 2-wire connection scheme, one wire is used to supply the voltage to the microphone and
receive the audio from it.
So, in the 2-pin connection, the wire carrying audio and bias is connected to one pin, and the ground/shield is connected to the other.
All DPA miniature and sub-miniature microphones are 2-wire types. The MicroDot is a 2-pin connector.
Figure 5. 2-pin connection of 2-wire microphones, whether it is traditional FET types (left) or CORE by DPA versions (right).
The connection for the traditional 3-wire microphone is straightforward: One wire for the voltage supply, one for audio out and one for the common ground.
In contrast to the 2-wire single FET solution, the 3-wire connection offers the possibility for positive output for positive-going sound pressure, i.e., in phase. (See schematics below).
Figure 6. Conventional 3-wire FET circuitry with in-phase output. Connector types: Mini-jack, Lemo.
In a simple design, with only one active component (the FET) in the mic, some manufacturers build a simple compensation circuitry in the transmitter using a 4-pin connection. The compensation does not work equally well for all microphones but is specific for a particular mic and TX combination. A "one-size-fits-all" solution is not optimal as the microphone and transmitter should rather be paired one-to-one.
Figure 7. An example of a 4-wire connection with compensation for single FET circuitry. Connector: MTQG/TA4M.
DPA miniature and subminiatures should never be connected to a compensational circuitry as it may reduce the already optimized output. In the adapter connection scheme of DAD6010 (MicroDot to 4-pin connector) which is shown below, pin 4 (for active load) is not connected.
Figure 8. DPA adapter for 4-pin connections, DAD6010.
DPA miniature and subminiature microphones are linear by design. Feed them with 5-10 volts and they will work correctly. Avoid "linearization circuitry" in any transmitter. Make sure you chose the right connection scheme. Then the mics work perfectly.
See the pinouts for the DPA adapters below and see all our adapters here.
Adapter for AKG PT 60/80/81/400/450/4000 Samson UT1L, VT2L (DAD6017)
Adapter for AT ATW-T101 (U100), Lectrosonics UHF Systems (Low Level) (DAD6021)
Adapter for Audio Ltd. En2 MiniTX (DAD6035)
Adapter for Audio Ltd. Tx 2000/Tx 2020/Tx 2040 (DAD6004)
Adapter for Audio-Technica ATW-T1000 D/ATW-T310/AEW-T1000/ATW-T701 (DAD6033)
Adapter for Beyerdynamic OPUS and Mipro (DAD6032)
Adapter for Lectrosonics LM, SM, UM Series (for Low DC Microphone) (DAD3056)
Adapter for Ramsa WX-RP410 (for Low DC Microphone) (DAD3051)
Adapter for Sennheiser Evolution/G2/G3/D1, X2 Digital Wireless, Audio Ltd En2 TX (DAD6034)
Adapter for Sennheiser SK 50/250/3063/5012/6000/9000 (DAD6003)
Adapter for Shure, Axient Digital, TOA, PGX1, Line 6 (DAD6010)
Adapter for Sony DWT-B01/WRT820/WRT860/WRT8 (DAD6008)
Adapter for Sony Freedom WRT 805 (DAD6019)
Adapter for TOA WM360/4310 (for Low DC Microphone) (DAD3050)
Adapter for Zaxcom TRX900 (for Low DC Microphone) (DAD3057)