4006 Omnidirectional Microphone

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      Transparency, detail and depth of sound

      • Acoustic authenticity
      • Linear throughout a large frequency bandwidth
      • Detailed and natural reproduction
      • High sensitivity and low noise floor
      • Excellent for concert halls and spot miking acoustical instruments
      • Modular flexibility

      The 4006 Omni Mic offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and linear frequency response from 10 to 20 kHz (±2 dB).

      4006 mmp-es preamp with side cable
      This mic is linear and true in character. It has earned its status as a worldwide recording standard and is our most popular pencil mic. This highly sought after mic has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation.
       

      4006A Omni Mic

      This is a very flexible solution. Engineers, broadcasters and musicians alike can achieve clean, natural and precise sound reproduction. This mic is ideal for A-B stereo pairs for symphonic concert hall recordings. It also excels on vocals, for close miking all types of instruments.


      A wide selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. These accessories are available in the Stereo Kits and Surround Kits.
       

      4006C Compact Omni Mic

      Whenever a small, lightweight and inconspicuous microphone for top-quality recording is required, the 4006C Compact Omni Mic is the perfect choice. The mic design is compact and clean.

      This is a very versatile recording microphone. It is popular as an A-B stereo pair in concert halls where quality recordings can sometimes be compromised by classic architecture. The mic can be mounted, hung or concealed to create clean, transparent recordings.



      It is ideal for use in theatres, opera houses, concert halls and houses of worship – anywhere there is a live audience. It can also be for film recordings, both in the studio and on location. Musicians like to use this mic to close mic some instruments, such as the double bass, trumpet and piano. At the same time, they are fantastic for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded.
       

      4006E Omni Mic

      When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry.

      These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. The SM4000 Suspension Mount is included in the package, allowing the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere.

      This solution is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.

      The 4006ES replaces the non-modular legacy 4051 Omni Condenser Mic and the 4006ER replaces the non-modular legacy 4052 Omni Condenser Mic.
       

      Combine with the preamp of your choice

      As with all of the modular d:dicate™ microphones, you can combine the Omni Mic Capsule with any of our preamps.

      The MMP-A  Microphone Preamp is an ultra-transparent, transformerless preamp with active drive for impedance balancing. The MMP-C Compact Microphone Preamp is an ultra-compact preamp with active drive for impedance balancing. It has a slightly softer character than the other preamps for our pencil microphones.

      Other preamps include the very small form factor types MMP-E Modular Active Cable (XLR output) and MMP-G Modular Active Cable (MicroDot output), allowing for very slim set-ups. The MMP-G even allows you to match a larger microphone directly to a wireless transmitter.

      You can combine any of the preamps with any of the modular capsules in the d:dicate™ Microphones Series.
       

      A bit about omnis

      An omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.

      Nonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.

      Explore specs

      With a dynamic range of up to 124 dB and an extremely linear output you are sure to capture all the details.
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      Optional Accessories

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      Premium Stereo Boom for Pencil Microphone

      The Stereo Boom is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings.

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      Lightweight Stereo Boom for Pencil Microphone

      This lightweight stereo boom – with or without shock mounted microphone holders – addresses the need for quick, precise and repeatable ways to switch between AB, XY, ORTF and DIN stereo principles.

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      Foam Windscreen for Pencil Microphone, Ø19, Length 92 mm (3.6 in)

      Foam windscreens designed for microphones with Ø19 mm (0.75 in) housings. It is well suited for outdoor applications and for speech and singing at short distances with our selection of pencil microphones.

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      DUA0020

      Foam Windscreen for Pencil Microphone, Ø19 mm, Length 56 mm (2.2 in)

      It is well suited for outdoor applications and for speech and singing at short distances. The windscreen is specially designed for compact mics, for example on floor stands.

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      Clip for Pencil Microphone

      The UA0639 Microphone Clip is based on a traditional design, but with additional modifications. These changes ensure a tighter and firmer grip on the microphone, while still enabling it to be secured and removed repeatedly with ease. 

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      Acoustic Pressure Equalizer Ball for 4006

      Sphere shaped Acoustic Pressure Equalizer which comes in three sizes and can be used for the microphone or the stereo kit.

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      Acoustic modification accessories

      By using DPA Acoustic Modification Accessories, you can acoustically alter the behavior of your microphone. From a single 4006 Omni Mic you can achieve different frequency responses and directional characteristics without compromising noise, phase-shift or distortion.
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      Product IDs

      Each microphone come in a different variations, each with it's own product ID and variant name. See the list of product IDs and names below.

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