d:vote™

4099 Touring Kit

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      The true voice of your instrument

      • CORE by DPA technology inside
      • Supercardioid condenser microphone
      •  Handles high SPLs
      • Superior gain-before-feedback
      • Flexible and easy mounting
      • Gentle and easy to mount on the instrument
      • Detachable cable and a versatile gooseneck extender


      Now with CORE by DPA technology

      The d:vote™ is already the recognized standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. d:vote™ CORE 4099 brings more clarity and details to your music, across the entire dynamic range. Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio.

      CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. Learn more about CORE by DPA.

      From the piano to guitar; strings to woodwinds; brass to percussion, the d:vote™ Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.The award-winning d:vote™ series gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

      This microphone comes in two versions:
      • d:vote™ CORE 4099 Mic, Loud SPL – used to close-mike most types of instruments
      • d:vote™ CORE 4099 Mic, Extreme SPL – used to close-mike extremely loud instruments, such as drums and some brass

      The  d:vote™ CORE 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Detachable cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting. The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. These mics come available in kits of 4- or 10 pieces with relevant accessories to make it easy to mic a group, band or orchestra.


      A perfect kit for your needs

      There are two different types of kits available and they can each be purchases with 4 or 10 microphones. Ready for on-the-road use for rental companies, musicians or theatres, the d:vote™ Classic Touring Kit offers microphones and a selection of accessories selected for typical use in an acoustic music setting. This kit features a number of d:vote™ CORE 4099 Instrument Microphones for Loud SPL, which are perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between.



      The d:vote™ Rock Touring Kit offers a number of d:vote™ condenser microphones and a selection of accessories selected for typical use in a live rock music setting. With a max SPL, peak before clipping of 152 dB, the d:vote™ CORE 4099 Instrument Microphone for Extreme-SPL instruments was designed for use on drums, percussion instruments and other loud instruments, like the trumpet and saxophone.
       

      “I've been using d:vote™ Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear."


      Simone 'Zeta' Saccomandi, front of house engineer for Italian ensemble, LE DIV4S
       

      About d:vote™ CORE 4099 Instrument Microphones

      Both the Loud- and Extreme-SPL versions of the d:vote™ CORE 4099 have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.




      The  d:vote™ CORE 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.



      The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities

      Explore specs

      Choose a mic optimized for loud or extreme SPL with a max. SPL before clipping of up to 152 dB.
      Explore specs
      But how does it sound? The d:vote™ 4099 is a phenomenal sounding mic, on almost any source, it is clean, clear and crisp with a detail seldom heard on any mic I have ever used.
      Read the full review on Gearslutz

      Where do I buy?

      Are you ready to buy a d:vote™ 4099 Touring Kit? Find the store closest to you.
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      Alternative microphones

      d:vote™

      4099 Instrument Mic

      The award-winning d:vote™ series, gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.

      Read more about the d:vote™ 4099 Instrument Mic
      d:dicate™

      2011 Twin Diaphragm Cardioid Mic

      This mic is acclaimed for its close-miking excellence and hi-SPL handling. Optimized for onstage use, it has been used on many stages as well as recording sessions. It exhibits a previously unheard blend of clarity, richness and dynamic range.

      Read more about the d:dicate™ 2011 Cardioid Mic

      Optional accessories

      I’d go so far as to say that it is a true Swiss Army knife (Is there a Danish Army knife?) of pro audio, the thought being that if a mic is at first accurate in the capture of a given acoustic source, it should perform equally well in a number of circumstances.
      Read the full review on Lighting & Sound America

      DPA takes a musical journey with the Silk Road Ensemble

      Versatile mics provide Audio Engineer / Designer Jody Elff with fantastic balance of sonic excellence and practical utility.
      Read more
      I really think this is the most compact and simplest-to-position drum microphone on the market.
      Read the full review on Church Production

      10 points on close miking for live performances

      A visual guide to mounting the d:vote™ Instrument Microphone on various instruments.
      Learn more
      d:vote™ 4099 Instrument Microphones are wonderful additions to any appropriate acoustic instrumentalist or live sound engineer’s arsenal of microphones. They are simple and easy to mount and demount, sound really good, are supremely fit for purpose, and set a new benchmark for high-quality, clip-on instrument microphones in live and recording environments.
      Read the full review on Performing Musician

      How to mic a drum kit

      How close do you place a snare drum mic above the skin? Have you ever heard the sound of the drum that close? Hopefully not! Nevertheless, that is where we normally place the snare mic. Always consider what you expect to hear as a result of where you place the microphone.
      Learn more
      There is no single mic model that could outperform the d:vote™ at all positions, especially if we consider the d:vote™ Series’ distinct advantages at exacting placement, diminished leakage and freedom of movement for the performers.
      Read the full review on Prosound News

      10 points on close miking for live performances

      We apply close-miking to obtain the highest possible sound pressure level (SPL) of the sound source – and the lowest SPL of all other nearby or distant sources. Close-miking can provide us with the possibility of a cleaner mix. Furthermore, close-miking can reduce the risk of acoustical feedback when used with public address systems (PA) as less gain of the microphone is needed being so close.
      Learn more

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