Miles Fulwider

When working with artists I like to ensure they are comfortable but once there is a strong relationship I like to introduce them to microphones that will help their performance and the recording.

These would be things I do regularly as part of my role as an educator and a producer.

Career highlights

• Educator:
  Program Director Music Technology University of Saint Francis
  Program Director Digital Media University of Saint Francis
• Producer/Engineer:
  I have produced and engineered for many GRAMMY® and Emmy Award winning artists and produced/engineered several chart-topping and award-winning albums. Credits include: Wynton Marsalis, Willie Nelson, Norah Jones, Chick Corea, Joe Locke, Grinder Blues, dUg Pinnick (King’s X), the Bihlman Brothers, Jon Batiste & Stay Human, Rob Mathes, Joe Bonadio, Hamilton de Holanda, Lawrence Brownlee, Damien Sneed, The Lincoln Symphony Orchestra, Jazz at Lincoln Center Orchestra, XM/Sirius Satellite Radio, and several film scores including scores for the American documentary film maker Ken Burns
   

Favorite DPA Microphones

1. 4011 on violins and strings
2. 5100 has been really exciting to enhance some of the immersive work I do
3. 4006 is my all around favorite omni which I have found to be incredibly versatile in adding depth and presence to an ensemble or individual instruments