MICROPHONES FOR BROADCAST

Containing a 4097 CORE Micro Shotgun Mic, the kit makes it easy to deliver great sound in challenging situations. This mic shines in outdoor locations, handling inclement weather and limiting intrusive background noises. It’s a professional solution for professional broadcasters, who need amazing sound in a lightweight, small-footprint form factor.

If you are looking for a full miniature microphone kit to support your ENG/EFP efforts, the ENG/EFP Microphone Kit, which contains a 4071 Miniature Microphone is a also good choice.

The 4071 Omnidirectional Microphone, Low-cut, Presence Boost is an outstanding speech mic. It makes the voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity – perfect features for an ENG/EFP mic. This kit is configured to include the mic and accessories necessary for electronic news gathering and electronic field production.

The MMA-A Digital Audio Interface is a high-quality, dual-channel microphone preamplifier and A/D converter that can be used with all DPA microphones with a MicroDot connector, including our headset, minature and even our recording microphones (when used with with the MMC4018 Supercardioid Microphone Capsule with the MMP-G Modular Active Cable and Gooseneck Shock Mount). This flexibility allows any content creator to use the equipment for unexpected situations that might arise during the day.

This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate the light weight and the excellent speech reproduction. Alternatively, the 4060 or 4071 Omnidirectional Microphones are great solutions that leave an even smaller footprint. The 4071 even boasts a built-in presence boost to compensate for chest placement.

For a light weight booming solution combine the MMC4018 Supercardioid Microphone Capsule with the MMP-G Modular Active Cable and Gooseneck Shock Mount.

We were really delighted with the performance of all the DPA Microphones, but especially the Mobile Surround Microphone, which sounded fantastic. It was incredibly easy to rig and protect from bad weather and was significantly less expensive than other microphone systems. Thanks to the 5100 Mobile Surround Microphone, we achieved a rich, smooth and fully enveloping sound that was great in its coherence, channel separation and localization accuracy.

– Huub Lelieveld, Senior Sound Supervisor for United Outside Broadcast and Studios (UEFA Europa League Final)

The In-Ear Broadcast Headset Microphone Series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communications – in one solution. No more fiddling with two parallel systems – one for the mic and one for in-ear communication. These mics are available in both omnidirectional and directional variants and can be further customized based on mounting, color and boom length.