As audience expectations have evolved, Owen has stopped trying to hide microphones or excuse amplification. Instead, he treats sound as a fully immersive part of the performance — and it has changed everything.
At the center of that approach: the DPA 4061, a microphone he has trusted across more than two decades of productions, from Godspell to today's biggest Broadway and West End stages.
Watch the full interview to hear why Owen believes the future of theater sound has nothing to apologize for.

