4017 Shotgun Microphone

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      Impressive accuracy and clarity

      • Small and lightweight
      • Excellent RF immunity
      • Highly immune to humidity
      • Uniform off-axis response
      • Highly directional pattern
      • Sleek shotgun for distant miking
      • Integrated active cable
      Designed for a broad range of applications, the 4017 Shotgun Mic is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast / ENG / film booming and even studio recording environments.

      This condenser microphone capsule is part of the flexible pencil microphones. It is equipped with a highly-directional hypercardioid pickup pattern; obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection.

      The Shotgun Mic Capsule is immune to RF emission and the 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. It withstands use in very humid environments with ease. It delivers clear sound even when used in very hot or cold areas of the world such as the desert and the arctic.

      Extensive research and development has been undertaken to optimize the sound coming from the sides and back of the microphone. One of the key accomplishments is that we have minimized the often un-linear response of a shotgun microphone due to its side lobes. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. The sound coming from the sides and back of a shotgun often sounds unnatural but DPA has managed to make these additions to sound natural as well – just damped.

      The capsule, combined with the MMP-B Mic Preamp, Low Cut and High Boost, is a short and exceptionally lightweight shotgun microphone with impressive accuracy and  clarity.

      All DPA mics, from the smallest miniatures to this shotgun, feature the same sonic character. This makes it easy to use a mix of hidden miniature mics and boom mics, while a minimum of workload in postproduction. This common sonic character means that you have the same timbre, independently, whether the sound is best recorded via a miniature mic or a boom, plan mic or any other DPA mic you choose to use.

      Combine with the preamp of your choice

      At any time, and with no tools needed, it is possible to transform this solution into a new configuration.

      The MMP-A Microphone Preamp is an ultra-transparent, transformerless preamp with active drive for impedance balancing. The MMP-C Compact Microphone Preamp is an ultra-compact preamp with active drive for impedance balancing. It has a slightly softer character than the other preamps for our pencil mics.

      Other preamps include the very small form factor types MMP-E Modular Active Cable (XLR output) and MMP-G Modular Active Cable (MicroDot output), allowing for very slim set-ups. The MMP-G even allows you to match a larger microphone directly to a wireless transmitter.


      4017B Shotgun Microphone

      At just 210 mm (8.3 in) and 68 g (2.4 oz), this mic is one of the shortest and lightest shotgun condenser microphones available. At the same time, it offers impressive accuracy, clarity and musicality. The mic is immune to RF emission and the 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. It also withstands use in very humid environments with ease.

      The 4017B Shotgun Microphone features two onboard filters. They are activated via an ingenious switching ring design. With a simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz. This compensates for hi loss when used with windjammers. A first-order bass roll-off below 120 Hz minimizes handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.

      This solution is also available with Rycote® Windshield and suspension system – a fully-packed and ready-to-go solution.

      4017C Shotgun Microphone, Compact

      At just 154 mm (6.1 in) and 70 g (2.5 oz), this mic sets new standards for compactness within shotgun microphones and their applications. At the same time, it offers impressive accuracy, clarity and musicality.

      The mic is immune to RF emission and the 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping.

      This solution is also available with Rycote® Windshield and suspension system – a fully-packed and ready-to-go solution.


      4017ER/ES Shotgun Microphone

      With our tiniest preamplifier design, the 4017E Shotgun Microphone features an integrated cable solution with either side (4017ES) or rear (4017ER) cable entry. It is the shortest professional interference tube shotgun mic available today; only 12.5 cm (4.9 in) in length and 121 g (4.3 oz) in weight (including 3 m (9.8 ft) cable and connector). It is ideal for booming actors or capturing distant voice dialogue for broadcast and video situations.

      The mic is immune to RF emission and the 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. 

      The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere.

      A bit about supercardioids

      A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity  (and hypercardioids even narrower) – making them even more focused than a “normal” cardioid mic. The off-axis sound will normally be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.

      Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. In addition, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.

      Explore specs

      Supercardioid, lobe-shaped directional pattern with extreme side rejection.
      Explore specs
      The d:dicate 4017 – with both the MMP-C and MMP-B preamps – sounds great and very, very accurate. It has transparency in the highs, extreme clarity overall, beautiful low tone representation and it picks up almost nothing off-axis.
      Read the full review on Video Producer
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      Optional accessories

      DPA’s d:dicate™ 4017B is much lighter in weight than the other industry standard shotgun microphones I own. My boom ops and I love lightening our load whenever possible. The shorter length and lighter weight doesn’t sacrifice the mic’s sound and is ideal in all scenarios.
      Read the full review on Post Magazine

      DPA captures scary good audio for Stranger Things

      One of the things that I really like about the DPA line is that it is totally modular. You can switch from a d:dicate™ 4017 to a 4018 using the same preamp in the time that it takes you to unscrew and re-screw in the desired capsule.
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      The huge dynamic range that's realized by such excellent noise performance and sensitivity makes some tricky situations rather easier to handle.
      Read the full review on Red Shark Audio

      Microphones for video

      Audio and video should go hand in hand. Considering perceived quality of a given production, it does not help much to have great images if the sound is bad. The quality of the sound affects the perception of the images. Getting the right perspective and the right balance is important in both video and audio production.
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      It sounded great, had great off-axis rejection and it could be placed further from the sound source than non-shotgun options — and that made the video people happy. The mic could also work admirably when used to record audience ambience.
      Read the full review on ProSound News


      Priced for the professional, with performance to match, the DPA d:dicate™ 4017B Shotgun Micis a quality piece of hardware, well worth considering for your next run-n-gun assignment.
      Read the full review on Videomaker


      Product IDs

      Each microphone come in a different variations, each with it's own product ID and variant name. See the list of product IDs and names below.

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