MICROPHONES FOR RECORDING

Our recording microphones have modular capsules and preamplifiers to deliver superior sound for high-quality studio recording situations. The transformerless design ensures extremely low noise and unparalleled off-axis response. The range is wide and provides superb-sounding microphones with any type of pickup pattern required for your specific needs.  Within the series there are a wide variety of capsules including:
 

• 4006 Omnidirectional Microphone
• 4011 Cardioid Microphone
• 4015 Wide Cardioid Microphone
• 4041 Large Diaphragm Microphone

For a more affordable studio recording solution, the 2011 Twin Diaphragm Cardioid Microphone is a fantastic solution. It has a strong pedigree. Its connection to its big brothers – the original DPA 4000 Series of miniature mics – is immediately audible. It is a premium-class microphone and redefines the term value for money.

Features of the DPA's recording microphones

 

• Great for high SPL
• Fantastic dynamic range
• Linear frequency response
• Accurate sound
• Colorless sound
• Modular flexibility

Twin Diaphragm recording microphones

Our twin diaphragm mics are the best choice for a project studio. Choose between the 2006A Twin Diaphragm Omnidirectional Microphone or the 2011A Twin Diaphragm Cardioid Microphone, depending on your specific needs. These mics perform as well as more exclusive microphones. They are premium-class microphones and redefine the term value for money.


 

4090/4091 Omnidirectional Microphones

The 4090 Omnidirectional Microphone, Hi-Sens and the 4091 Omnidirectional Microphone, Lo-Sens are two of the best miniature condenser mics you could choose for a project studio. Both mics offer its uniquely natural and open sound and are suitable for instrument miking applications in the studio (or onstage). Our miniature microphones series also contains a range of instrument miking and stereo kits that can benefit a project studio.


 

The 4099 Instrument Microphone

The 4099 Instrument Microphone is a very versatile mic that can be close miked on virtually any instrument, providing a much more natural sound than any internal microphone or pickup.


 

Our recording microphones has modular capsules and preamplifiers to deliver superior sound for high-quality studio recording situations. The transformerless design ensures extremely low noise and unparalleled off-axis response. The range is wide and provides superb-sounding microphones with any type of pickup pattern required for your specific needs.  Within the series there are a wide variety of capsules including the 4006 Omnidirectional Microphone, 4011 Cardioid Microphone, 4015 Wide Cardioid Microphone and 4041-SP Large Diaphragm Microphone.

Using microphone main arrays for stereo or full surround sound is another way to record a symphony. Most orchestras are a self-balancing phenomena – each instrumental part can be heard without the need for additional miking. As well, acoustic reflections and a sense of acoustic space are an important aspect of the sound of an orchestra - just as much as the instruments themselves.

Our recording microphones contains a range of stereo and surround kits that can be used in conjunction with the S5 Surround Mount to capture amazing surround sound recordings of classical symphonies.
 

4006A Omnidirectional Microphone

Linear and true in character, the 4006A Omnidirectional Microphone has earned its status as a worldwide recording standard. This highly sought after mic has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation.

5006A Surround Kit

This complete Surround Kit features five carefully factory-matched 4006A Omnidirectional Microphones. The surround match is even closer than the standard tolerances on the 4006A Omnidirectional Microphones. The  5006A Surround Kit is the perfect solution for Decca Tree and surround array recordings.