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Learn how to set up projects, monitor channels, coordinate frequencies and update firmware in DPA Audio Controller for the N-Series wireless system.

In our efforts to get closer to the sound source, we place the microphone in front of the face, close to the mouth. This article describes the problems we must overcome when working that close, specifically problems related to wind. We performed some experiments to better understand what is going on—right in your face.

This guide covers the fundamentals that make or break a wireless mic setup: antenna placement, line of sight, RF signal strength, frequency selection and battery management.

The piano is a huge instrument in every sense. Before placing any microphones, it is a good idea to get a little more insight into how the sound fields around (and inside) the instrument work. We made measurements with a ten-mic array, measurements you may not have seen before. This article provides facts to expand your knowledge – and your sound.

Guidelines for miking a piano. Grand or upright.

A bit of history and key facts about the acoustic and physical features of the piano.

The 32-bit floating audio format seems to offer exceptionally high dynamic range and ease of use. However, there are limits! This article explores high-bit resolution microphone recording and addresses its limitations.

Sound engineer and music producer, Morten Lindberg, is passionate about capturing immersive audio and creating fully immersive experiences for the listener. In this article he answers questions about channel vs. object-based recording, his workflow and his philosophy when tacking his recording sessions. He discusses what's important - the venue, the preparation and the mic choice.