Ettore (ET) Dedivitiis, Jason Mraz’s director of production and FOH, echoed Bloomfield’s thoughts. “Usually plugging an instrument in takes away from it, but you have no choice in a live situation,” says Dedivitiis. “Playing in front of 10- to 15,000 people, simply having a microphone in front of an instrument isn’t going to cut it. When Mai told me about wanting to try the DPA
d:vote™ CORE 4099 mic, I was excited. It’s worked out really well. It’s very clean and it makes the cello sound more open and real. From the first note, it sounded great. It sounds warm and natural, the way a cello should sound.”
In addition to hearing her instrument sound exactly like it should, Bloomfield also has a lot more confidence on how the sound is being delivered to the audience. “Using DPA, you hear more of the bow texture and more of the natural air of the instrument,” says Bloomfield. “The
cello is designed to project acoustically, so to achieve that natural sound in a live setting with 10 other amplified band members is great. During a concert, I’m positioned right next to several high-volume guitar amps, a bass cab, and a drum kit. There is so much sound on stage and for that little DPA mic to be able to focus its pickup on just the cello is a miracle. The compact
d:vote™ CORE 4099 is really beautiful, powerful and easy to work with.”