, however, did solve a different problem when it proved ideal for the show’s male talent whose chest was too hairy to have a microphone attached to it.
“As everyone working in film and TV sound knows, it can be very difficult to mic up a hairy chested actor wearing a white office shirt, no tie and a blazer,” Thirion explains. “We found the perfect spot for the 6060
in the collar of the shirt. We used an URSA mini mount and covered with white URSA moleskin so that it was completely disguised. We also hid a 6060 in a tie knot using a Sanken RM11 concealer. The mic is so slim that it helped prevent any tie knot deformation.”
Thirion, who has been working in film and TV sound for nearly 20 years, says the trick to hiding microphones in clothing is to expose them as much as possible. This might sound counterintuitive but he believes it is better to give them some space in order to achieve the best sound.
“If you can nearly see them in plain sight, you get better sound quality and intelligibility because there is air around the microphone.” He says. “You also reduce any risk of fabric rustling against the capsule or against the cable, which is also a source of noise.”
As a self confessed fan of DPA microphones, which he describes as ‘the best mics out there’, Thirion had no hesitation in choosing them for the Parlement
project, which was shot on location in Europe at the end of last year.